I included some cool ass links to him just so enjoy those as well. This was fun though, I’ll do it again sometime soon. Generational.įavorite Song: SWEET / I THOUGHT YOU WANTED TO DANCE (ft. I promised I wasn’t gonna use that word in this blog. You can really play any one of these songs and just fucking vibe. His bragging about how untouchable he is in multiple aspects and unapologetic behavior radiates that “ fuck you” essence that some of us just need to hear from time to time. His storytelling gets better with every album, and Call Me If You Get Lost is no exception. At this point, his production is undoubtedly one of the best in Hip-Hop listen to songs like RUNITUP, WUSYANAME, HOT WIND BLOWS, and try to tell me different. We got Tyler rapping again on damn near every song while still implementing those signature melodies and mixes. Even Brent Faiyaz came through with the vocals! So beautiful, man. 42 Dugg, Uzi, Pharell, … all those dudes delivered. The features were a little out of his comfort zone, yet the way the songs were composed, you’d think otherwise. Let me start by saying that the DJ Drama assistance was unexpected and profound for Hip-Hop. Sypnosis: I assure you this is not recency bias. *Sidenote* At this point, he’s mastered the bridge technique. I want to add that watching your favorite artists’ interviews provides a new appreciation for their work, so I included it here. Keeping that in mind allowed for continuous outlooks after each listen. Being transparent about his personal life and interests as an everyday individual has always been his thing. We’d only gotten a taste of this side of Tyler before, so a full-blown album definitely turned a lot of heads. A lot was going on with the central theme of this album. The bridge around the 2 minute mark of I Think is so fucking dope, and the composition of Are We Still Friends? should be considered a Schedule I Substance. Most people took Earfquake and ran that shit into the fucking ground, and for that reason, a lot of the other tracks were overlooked. The melodies, bridges, and harmony used by Tyer and accompanying features made this album seem damn near perfect after first listen. Synopsis: A lot of people overhyped this when it was initially released (myself included) and for good measure. One of the last authentic rapping versions of Tyler we got for a while. Many of the songs on that album made absolutely no sense but keeping in mind that he was 19 and simply throwing relatable adolescent feelings on a beat definitely gives a newfound appreciation for his composition and some pieces that became timeless. A lot of us were heavily influenced by his lyrics and rebellious aesthetic back then. There is a 9/10 chance you owned an OF doughnut hoodie or pair of socks. Still, considering our age and the time we were living in, coupled with Odd Future tapping in on every trend in that era, it’s difficult to not find yourself reminiscing about the nostalgia that comes from Goblin. Looking back now, Goblin definitely wasn’t one of his best. Very irrelevant in the grand scheme of things, yet it’s something I often think about. Sypnosis: I remember being 16 and playing Tron Cat out loud when some stranger passed by singing along those fucked up lyrics. Had way more potential though.įavorite Song: See You Again (ft. It showed that your music taste was diverse, and everyone knows having an untouchable playlist is a different kind of flex. It was cool to like Tyler the Creator back when this dropped. I’d say this album is a little overrated, and I blame the Tumblr girls for that. I want to note that production and features by the likes of Rex and Estelle were essential in saving this album from being considered ‘ somewhat’ flawed. Tumblr girls had a field day with this cover art, so points had to be deducted. There was a noticeable improvement, though not enough to place this any higher on the all-time list. Riding off that Cherry Bomb momentum, Tyler continued to test his flow, features, and production. A loaded supporting cast of features spanning across various music genres brought a whole new fanbase that not only broadcasted his versatility but solidified him as a generational talent whether you realized it at the time or not was on you, dummy. Synopsis: This might piss a lot of Tyler fans off being so low on the rankings, so let me reiterate, worst album ≠ a bad album.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |